Tuesday, January 10, 2006

Boobies! (And the Lack Thereof)

"Helligan's a tragic loss. Why's everybody's so excited bout her? Like Whip and Jackie and Dan and Vigilante? Yeah, she was cool. But she's a vampire zombie now. "Sky High" Helligan gives us a human and common sense perspective as to the levels of view shown here. She zooms out and sees the whole picture. Cue us to do the same." -- Chad (July 5, 2005)

The above opinion was expressed in response to Shining Knight #3, where FBI Agent Helen "Sky-High" Helligan came out of nowhere to help us piece together the reasoning behind there being two Shining Knights in the DC Universe, shortly before being bit by the Bitch Queen from Beyond the Vampire Sun for all of her trouble.

If you're up to speed on your Seven Soldiers, Read On

Seven Soldiers Spoiler Warning

As it's been over two weeks now, most of you following Grant Morrison's Seven Soldiers project know that Sky-High Helligan returned for a short swan-song in the Bulleteer #2, where once again she came to give us exposition and advice before croaking.

In case you haven't noticed, the Bulleteer is a hypersexualized character. Paquette was specifically chosen for his ability to draw cheesecake. Yet, Helligan, standing next to Alix, is far from sexualized.



She's a lovely woman, yes, but standing next to Alix, it's harder to realize. In fact, Alix's outstanding appearance enhances Helligan's normalness, and actually enables the FBI agent's skills and personality to shine. Helligan is a fine foil for Alix, also, drawing attention to the taller woman's naivete, and casting everything about her, even the way she stands, in the light of that characteristic. Helligan stands and walks like a real woman. She is serious and practical, and constantly using her mind. Next to her, Alix's posing is revealed as more than just the artist's style, and less than Morrison's metatext. It becomes characterization. Alix is new to this world. She's self-conscious. She's like an adolescent girl, trying to find her identity. She knows what superheroes are supposed to look like and she tries to fit the part with her posing and her wardrobe. On her own, she looks the part. She is a comic-book female. But next to a wise, self-possessed, professional woman like Helligan, Alix's true childish nature is revealed. It's a put-on. Alix has no idea what a real superhero would be like. She only knows how to look the part. That's fortunate, though, because that's all she needs to do for Helligan. Had Sky-High lived longer, they would have made an ideal team. Now, Alix will have to grow into her own.

Sounds good, right?

Surely, that's all there is to Sky-High, right?

No, that can't be right. Grant Morrison wrote this. There must be more metatext than just that.

One of the obvious themes of Bulleteer is what men value in women. That's how Alix got her powers. Her appearance was valued by her scientist husband. He wanted not only to preserve it, but to enhance it so he could live out his superhero fetish fantasies. To get the point across, Alix is hypsexualized in Bulleteer #1. It's not until the second issue, though, when you meet Helligan again that you realize that that's special to Alix. Most purely cheesecake artists pose all of their featured females provocatively. Paquette reserves these poses for Alix. And the more I think about it, the more I'm convinced there's metatext behind Sky-High's lack of hypersexuality.

I suspect it means that Helligan, or rather, what she represents, is not valued by men.

Her skills are not physical, they are mental. She is not a soft, feeling, social woman. She is not passive, nor is she passionate or fiery in her aggressiveness. She's a cool-headed, creative, analytical, intuitive and intelligent woman who gets excited and talkative about ideas. She's pure of heart without being an ingenue. She's worldly and knowledgeable, but not jaded. Indeed, all her knowledge, up until the unfortunate incident with the aforementioned Gloriana Tenebrae, just makes her more fascinated by her subject.


Helligan does her detective work by connecting her analytical deductions with creative leaps. She seems to be making things up on the fly, but is actually basing her conclusions on on an immense collection of knowledge, experience and clues. She's so good at putting together the "Big Picture" she's nicknamed Sky-High. The way she describes her cognitive abilities reminds me a lot of feminine intuition. A woman's gut instinct is based on a thousand unconscious clues. She reads people, she reads places. She factors in the wisdom passed down from the elder generation. She draws conclusions about the entire situation based on these subtle details. Traditional masculinity dismisses this ability, and the entire body of feminine wisdom that lies behind it, as silly or superstitious.

Alix, a young, physically fit, beautiful woman who worked with children, is soft-hearted and caring, but shy and gullible. She is womanly strength and beauty as defined by man. She's the heroic archetype of the Reluctant Good-girl hero. The Beautiful Young Girl (Bishoujo) archetype.

Helligan embodies the Wise-Woman archetype. Not Athena, but Metis the Forgotten Mother (which is fascinating given how much Gloriana resembles Medusa). It's not in her age but in her skills, her story role, and her group dynamics position. She is a creative thinker and an expert in metahuman affairs, she appears to dispense exposition, and she gives younger woman like her sister and Alix (and actually, Ystin to a point, since she was there to help), the benefit of her knowledge and experience. Hell, she even figures out where the Sheeda are from, and I'd lay money she's right.

Alix's sexualization, next to Helligan's lack of sexualization, just screams that the Ingenue is valued over the Wise-Woman from a masculine point of view. This seems to matter quite a bit to Alix, who's entire identity is based on her late husband actions. She's a portrait of womanly strength as painted by an adolescent boy. (The condition of the Mirror in the panel at right tells us all we need to know about that viewpoint) She can't see her own value to the universe, she only knows what her late husband wanted and is stuck with the hand he dealt her. Sky-High Helligan, on the other hand, is self-identified, a portrait of womanly strength as created by the whole of the universe and knows her value as it applies to the tapestry of life itself.

In the events of the Bulleteer #2, Helligan is slowly dying. Alix needs to carry her at points. But Helligan is still in complete control of the situation to her last breath. Alix feels helpless and worthless, "not like a superhero at all", while Helligan dies seeing the Big Picture and knowing what she's done for it.

Alix has none of Helligan's observation skills. If she had, she would not have powers. She would have seen her husband for the pervert he was, and realized his subtle digs at her age and appearance were signs he didn't really love her at all. It's too late to fix that now, but its fairly obvious that in order to survive, Alix will need Helligan's undervalued wisdom in addition to the physical powers she recieved from her husband. Hopefully, by the end of Seven Soldiers, Alix will have enough wit to be more than muscle and window dressing.

13 comments:

  1. Damn. How the hell'd you get so smart?

    Reading blogs makes me feel stupid. Great post.

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  2. Really interesting post. I can't wait for next week's release of the first 7S tpb, so I can start painting some crazy "Grant Morrison Convergences Graph" on the ceiling of my bathroom.

    (I'm going to use purple marker and ketchup)

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  3. Pffft. Who needs womens intuition when you have Spider-Sense?

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  4. That.

    Was nicely done.

    I've been thinkin' a lot about the Seven Soldiers books lately.

    They're SOLDIERS.

    This is a war.

    And who fights wars?

    Kids.

    So all our heroes, fresh from either birth (Shining Knight, Klarion, Bulleteer) or REbirth (All the others) have gotta deal not only with the pressures of combat but with their own youthful responses to them.

    Which would mean that, as you pointed out, Bulleteer might be the most childish of all of 'em at this point, being reborn in someone ELSE's image 'n held to someone else's ideals.

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  5. diamondrock -- Okay, I want to print out the top part of that comment, frame it, and put it on my wall.

    jhunt -- Ah, a true Morrison fan. You'll have to take a picture for us.

    markandrew -- You're right. The younger Soldiers, Klarion and Ystin, are both very sure of who they are. They're just experiencing growing pains. It's the adult ones, Zatanna, Jake, and Shiloh who seem to be having major identity crises right now. Alix may be having the worst of all.

    Not sure how Frank fits into this, though. We haven't seem him as a person much, more of an implement of destruction.

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  8. Actually, we've just seen here why Morrison is a better writer than Miller, haven't we? :)

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  9. Fantastic reading. It will be interesting to see how and if Alix develops as a hero (given the mode that Morrison is in, I suspect she will emerge with a new sense of identity/purpose although it may not be the traditional hero role we'll expect to see). Will she walk away from being the constructed beauty by the deranged sculptor and go to creating her own sense of beauty? Will she be able to define herself independent of male expectations and patriarchical societal roles?

    The mirror image is an interesting one to point out - not only is it cracked, but her face is hidden by that rather phallic helmet. Not only does she have a fractured sense of self and purpose, but she's possibly blinded to it - not only is her image skewed, it's hidden behind this helmet. (A helmet with rose-colored lenses, but I'm not sure what to make of that right now).

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  10. I have met Morrison...he's a great guy very smart and very much a boy in a candy store...

    His Superman book is awesome as he said it would be...at wizard world when talking about his book another writer comment on the book Supreme Power and all the boobs being seen, anway Morrison reacted "ell Ya"...

    So this book must just be an outlet for the little boy in him...
    nothing wrong with that.

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  11. A very well thought out analysis of Helligan and Alix. I wished I had noticed all of this symbolism. Anyway, I liked Helligan and wished she had been in more of the Seven Soldiers. She seems like she'd be working for Planetary or Global Frequency with her super-deduction abilities.

    In the last issue and Bulleteer #3, it seems death hasn't quite stopped Vigilante from reappearing, so maybe Helligan isn't finished yet either.

    And to respond to whoever mentioned All-Stars Superman, it's amazing. Issue #2 is a dynamic look at the old love triangle between Lois, Clark, and Superman.

    "What if there really was some part of him that was bumbling, oafish Clark Kent? I just don't think I can live with that."

    Maybe I'm already preaching to the choir.

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  12. You know, between this and your much more recent discourses on Wonder Woman and Kyle & Soranik (specifically the one about "love story" expectations), I'd kill to read your thoughts on Empowered. Have you ever read the series?

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